simultaneous perceptionの例文

• Each eye receives a similar, fusible image, with the exception of the line, allowing simultaneous perception to be observed.
• Distinct from neuroscience, the concept of synesthesia in the arts is regarded as the simultaneous perception of multiple stimuli in one gestalt experience.
• Anderson has described this connection as the  thinness .  It is the simultaneous perception and implicit understanding of the past, present, and future.
• The insular and cingulate cortices are parts of the brain which represent touch-position and pain-temperature in the context of other simultaneous perceptions ( sight, smell, taste, hearing and balance ) in the context of memory and emotional state.
• The realization of this process is called  Urbanature " and " Big Nature . " As an evolving urban ecology, Charles Morris Anderson has described this connection as the  thinness .  It is the simultaneous perception and implicit understanding of the past, present, and future.
• "' Diplopia "', commonly known as "'double vision "', is the simultaneous perception of two images of a single object that may be displaced horizontally, vertically, diagonally ( i . e ., both vertically and horizontally ), or rotationally in relation to each other.
• For the purposes of illustration I have employed only outline figures, for had either shading or colouring been introduced it might be supposed that the effect was wholly or in part due to these circumstances, whereas by leaving them out of consideration no room is left to doubt that the entire effect of relief is owing to the simultaneous perception of the two monocular projections, one on each retina.
• Such simultaneous perception of the object as both 2D and 3D one's habits of seeing, and so induces a reflex reaction, which is to walk around the object and to attempt to resolve or reconcile it to what one knows . " Indeed the very distortions that resist and undermine our ability to see trigger a shift from the spectatorial gaze to the corporeal encounter .  Since the object's compound distortions guarantee that no such reconciliation is possible, one's own reaction of walking around the work and taking up various vantage points, the process of attempted reconciliation itself, becomes part of the content of the work.